Our clients 
Paul Wills
Productions
2019 | |
| ADMISSIONS | Director: Daniel Aukin Trafalgar Studios |
| THE MONSTROUS CHILD | Director: Timothy Sheader |
| KINKY BOOTS | Director: Matthew Wild |
| THE SNAPPER (Revival) | Director: Róisín McBrinn |
2018 | |
| AN ENEMY OF THE PEOPLE | Theatre Cocoon, Bunkamura, Tokyo |
| SHAKESPEARE IN LOVE | Director: Greg Karrelas |
| KING LEAR | Director: Jonathan Munby |
| THE SNAPPER | Director: Róisín McBrinn |
| THE FOUR SEASONS: A REIMAGINING | Directors: Finn Caldwell & Toby Olié |
| HAMLET | Director: Simon Godwin |
| FROZEN | Director: Jonathan Munby Theatre Royal Haymarket |
| LADY WINDERMERE'S FAN | Director: Kathy Burke |
2017 | |
| SHAKESPEARE IN LOVE | Director: Greg Karrelas |
| KING LEAR | Director: Jonathan Munby |
| KING KONG | Director: Jonathan Munby |
| MEASURE FOR MEASURE | Director: Simon Godwin |
| OCCUPATIONAL HAZARDS | Director: Simon Godwin |
| MRS HENDERSON PRESENTS (Costume) | Director: Terry Johnson |
| RUNNING WILD | Director: Timothy Sheader |
2016 | |
| A ROOM WITH A VIEW | Director: Adrian Noble |
| FIRST LIGHT | Director: Jonathan Munby |
| RUNNING WILD | Directors: Timothy Sheader & Dale Rooks |
| JUNO AND THE PAYCOCK | Director: Mark O’Rowe |
| HAMLET | Director: Simon Godwin |
2015 | |
| MRS HENDERSON PRESENTS | Director: Terry Johnson |
| RICHARD II | Director: Simon Godwin |
| AMERICAN BUFFALO | Director: Daniel Evans |
| A HUMAN BEING DIED THAT NIGHT | Director: Jonathan Munby |
| BASTARD AMBER | Choreographer: Liz Roche |
| DI AND VIV AND ROSE | Director: Anna Mackmin |
2014 | |
| HOWIE THE ROOKIE | Director: Mark O’Rowe |
| OUR FEW AND EVIL DAYS | Director: Mark O’Rowe |
| SECRET THEATRE SHOW 3 | Director: Sean Holmes |
| A HUMAN BEING DIED THAT NIGHT | Director: Jonathan Munby |
| BARNUM (Costumes) | Director: Timothy Sheader/Liam Steel |
| A STEADY RAIN | Director: David Grindley |
| THE TWO GENTLEMEN OF VERONA | Director: Simon Godwin |
| AFTERPLAY | Director: Róisín McBrinn |
| ONCE A CATHOLIC | Director: Kathy Burke |
2013 | |
| SECRET THEATRE | Director: Sean Holmes |
| DI AND VIV AND ROSE | Director: Anna Mackmin |
| ROUTES | Director: Simon Godwin |
| HOWIE THE ROOKIE | Director:Mark O’Rowe |
| BARNUM (Costumes) | Director: Timothy Sheader and Liam Steel |
| A HUMAN BEING DIED THAT NIGHT | Director: Jonathan Munby |
| THE LIGHTNING CHILD | Director: Matthew Dunster |
| DRUM BELLY (Set) | Director: Sean Holmes |
previous theatre | |
| DI AND VIV AND ROSE | Director: Anna Mackmin |
| MY FAIR LADY | Director: Daniel Evans |
| FINDING NEVERLAND (Costumes) | Director: Rob Ashford |
| ORPHEUS DESCENDING | Director: Sarah Frankcom |
| BEN HUR | Director: Sean Foley |
| THE SECOND MRS TANQUERAY (Set) | Director: Stephen Unwin |
| INTERMEZZO | Director: Stephen Unwin |
| MAKING NOISE QUIETLY | Director: Peter Gill |
| ANNA CHRISTIE (Nominated for Best Revival Olivier Award) | Director: Rob Ashford |
| CHAIR, THE UNDER ROOM, HAVE I NONE, | Director: Edward Bond / Sean Holmes |
| CITY OF ANGELS | Director: Robert Shaw Cameron |
| WAITING FOR GODOT | Director: Ian Brown |
| TWO GENTLEMEN OF VERONA | Director: Matthew Dunster |
| DI AND VIV AND ROSE | Director: Anna Mackmin |
| BURIED CHILD | Director: Paul Kerryson |
| SAVED | Director: Sean Holmes |
| A NUMBER | Director: Jonathan Munby |
| DOCTOR FAUSTUS | Director: Matthew Dunster |
| THE ACID TEST | Director: Simon Godwin |
| THE STOCK DA’WA | Director: Kathy Burke |
| YERMA | Director: Róisín McBrinn |
| BLASTED – 2011 Olivier Award for ‘Outstanding Achievement in an Affiliate Theatre’ | Director: Sean Holmes |
| NOVECENTO | Director: Róisín McBrinn |
| A NUMBER | Director: Jonathan Munby |
| HOUSE OF GHOSTS – AN INSPECTOR MORSE MYSTERY | Director: Robin Herford |
| DANDY IN THE UNDERWORLD | Director: Tim Fountain |
| NINETEEN EIGHTY-FOUR | Director: Matthew Dunster |
| SISTERS | Director: Ruth Carney |
| PORRIDGE | Director: Gavin McAlinden |
| TREASURE ISLAND (set) | Director: Stephen Unwin |
| I OUGHT TO BE IN PICTURES | Director: Paul Jepson |
| THIS MUCH IS TRUE | Director: Tim Roseman |
| PUNK ROCK | Director: Sarah Frankcom |
| PORNOGRAPHY | Director: Sean Holmes |
| HOME | Director: Stephen Unwin |
| SERIOUS MONEY | Director: Jonathan Munby |
| THE FRONTLINE | Director: Matthew Dunster |
| MACBETH | Director: Matthew Dunster |
| THE INDIAN WANTS THE BRONX | Director: Daljinder Singh (Jerwood Director Award winner) |
| SEE HOW THEY RUN | Director: Sarah Frankcom |
| CRAVE, SUCH A BEAUTIFUL VOICE IS SAYEDA’S and THE SUIT | Director: Matthew Dunster Young Vic, Young People’s Participation Programme |
| OVERSPILL | Director: Tim Roseman |
| THE MAN WHO HAD ALL THE LUCK | Director: Sean Holmes |
| INPARENTHESIS in the METAMORPHOSIS 08 PROJECT | Director: Róisín McBrinn Churchill Theatre Bromley with ATG |
| TESTING THE ECHO | Director: Matthew Dunster |
| CRESTFALL | Director: Róisín McBrinn |
| THE CHANGELING (set) M.E.N Award Nomination for Best Visiting Production | Director: Stephen Unwin |
| WE THE PEOPLE | Director: Charlotte Westernra |
| PROMETHEUS BOUND | Director: James Kerr |
| TRACY BEAKER GETS REAL | Director: David Newman |
| SLEEPING BEAUTY | Director: Róisín McBrinn |
| LITTLE VOICE | Director: Tom Daley |
| A NUMBER | Director: Jonathan Munby |
| THE CUT TMA Award Best Touring production | Director: Michael Grandage |
| BLUE/ORANGE | Director: Kathy Burke |
| GLADIATOR GAMES | Director: Charlotte Westernra |
| BATINA AND THE MOON | Director: Karen Simpson |
| TOTAL ECLIPSE | Director: Paul Miller |
| A MODEL GIRL | Director: Ruth Carney |
| MOTHER COURAGE (set) | Director: Stephen Unwin |
| BREATHING CORPSES | Director: Anna Mackmin |
| THE FIELD | Director: Róisín McBrinn |
| Triple bill of Pinter Plays: A KIND OF ALASKA, A SLIGHT ACHE and PRECISELY | Director: Clare Lovett and Thea Sharrock |
| INVISIBLE MOUNTAINS | Director: Tom Daley |
| MAMMALS | Director: Anna Mackmin |
| A STREETCAR NAMED DESIRE | Director: Nikolai Foster |
| OLIVER! | Director: Nikolai Foster |
| A THOUSAND YARDS | Director: Róisín McBrinn |
| REFERENCES TO SALVADOR DALI MAKE ME HOT | Director: Róisín McBrinn |
| GOMPERS | Director: Róisín McBrinn |
| CAR THIEVES | Director: Paul Jepson |
| THE MAIDS TRAGEDY | Director: Clare Lovette |
| THE SCHOOL OF NIGHT | Director: Tom Daley |
opera and dance | |
| RUSALKA | Director: James Conway and Tom Daley |
| SWEETNESS AND BADNESS | Director: Jonathan Munby |
| THE MAGIC FLUTE | Director: Sam West |
as associate designer | |
| GUYS AND DOLLS | Director: Christopher Oram |
| WORLD MUSIC | Director: Christopher Oram |
as assistant designer | |
| To Christopher Oram on GRAND HOTEL, HENRY IV, CALIGULA, THE VORTEX and PRIVATES ON PARADE at the Donmar Warehouse; DON CARLOS and THE TEMPEST (also West End), A MIDSUMMER NIGHT’S DREAM and RICHARD III at the Sheffield Crucible; POWER at the Cottesloe, RNT and OLEANNA in the West End. | |
| To Stephen Brimson Lewis on OTHELLO, KING JOHN, THE TAMING OF THE SHREW, THE TAMER TAMED, ALL’S WELL THAT ENDS WELL, MUCH ADO ABOUT NOTHING at the RSC and on A CHORUS LINE and HIGH SOCIETY at the Sheffield Crucible. |
education | |
| 2:1 BA (Hons) Theatre Design at Bretton Hall, Leeds |
A couple of highlights from last week #MidsummerNightsDream #sweattheplay #vanyaandsonya https://t.co/I6S6Xb1yMy
RT @brumhippodrome: Director @TinuCraig tells us why the music of The Color Purple is so epic. Musical theatre fans will fall in love with…
★★★★★ from The Times for #Sweat @GielgudTheatre with lighting by #OliverFenwick 🙌 https://t.co/nENDeFvS51
Thrilled to see the @NationalTheatre doing more brilliant, international work in an effort to make theatre more acc… https://t.co/ZEFVBnhuYc