Paul Wills
Theatre Designer
FULL CV
GALLERY: if you would like to see photographs of his work please
contact CLARE VIDAL-HALL
on 020 - 8741 7647 or
info@clarevidalhall.com
Paul Wills
Paul Wills
Paul is currently working on SEE HOW THEY RUN and MACBETH (Royal Exchange). He also designed THE MAN WHO HAD ALL THE LUCK for the Donmar Warehouse and PROMETHEUS BOUND at the Classic Stage Company in New York (and previously at Sound).
Other recent work includes RUSALKA (English Touring Opera); CRAVE, SUCH A BEAUTIFUL VOICE IS SAYEDA’S and THE SUIT (Young Vic’s ‘Young People’s Participation Programme’); PORNOGRAPHY (Birmingham Rep and Traverse Theatre); THE FRONTLINE (Globe Theatre); OVERSPILL (also Soho Theatre transfer) and INPARENTHESIS in the METAMORPHOSIS 08 PROJECT (Churchill Theatre, Bromley with ATG); TESTING THE ECHO (Out of Joint on tour); THE CHANGELING, MOTHER COURAGE (set, ETT); CRESTFALL (Theatre 503); WE THE PEOPLE (Globe Theatre); TRACY BEAKER GETS REAL (Nottingham Playhouse & UK tour); THE CUT (Donmar and tour and TMA Award for Best Touring production); INVISIBLE MOUNTAINS (National Theatre); LITTLE VOICE (Watermill Theatre); SLEEPING BEAUTY (Helix Theatre, Dublin); TOTAL ECLIPSE (set, Menier Chocolate Factory); A MODEL GIRL (Greenwich); A NUMBER (Sheffield Crucible Studio & Chichester Festival); THE FIELD (Tricycle); GLADIATOR GAMES (Sheffield Crucible and then Theatre Royal Stratford East); MAMMALS (Bush Theatre and on UK tour); BLUE/ORANGE (Sheffield Theatre and on tour) and BREATHING CORPSES (Royal Court).
He also designed SWEETNESS AND BADNESS for Welsh National Opera’s Max project and THE MAGIC FLUTE which Sam West directed at the National Theatre of Palestine, Bethlehem and Ramallah.
last updated December 2008