Tina MacHugh

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CURRENT and FORTHCOMING PRODUCTIONS
JULIUS CAESAR – Guildhall School of Music and Drama, director Richard Twyman
ROOSTER – at the National Ballet of Canada and Ballet Basel, Geneva – having previously played at Houston Ballet, Krefeld Theatre Germany, Hubbard Street Dance Chicago & Ballet Deutsche Oper am Rhein, choreographer Christopher Bruce

Other recent OPERA includes
For Opera Theatre Company, Dublin: PELLEAS AND MELISANDE, ORLANDO, APOLLO AND HYACINTHUS (also with Classical Opera) and VERA OF LAS VEGAS (all Annilese Miskimmon)
and:
CROSSING THE SEA - Wilton’s Music Hall, director Lou Stein

PARADISE MOSCOW – Royal Academy of Music, director John Fulljames
LA BOHEME and A STREETCAR NAMED DESIRE – Opera Ireland, director Porzia Addabbo
THE MAGIC FLUTE - Guildhall School of Music and Drama, director Will Kerley
ALCINA (James Conway) and FALSTAFF (Domiano Micieletto) – English Touring Opera
IDOMENEO - Los Angeles Opera with Placido Domingo, directed by Vera Calabria
National Opera Studio Showcase at Hackney Empire, director Annilese Miskimmon

 

DANCE includes:
Most recently: 00:00:00:00: TIMECODE (ROH, Clore Studio, choreographer William Tuckett); HANS CHRISTIAN ANDERSEN: Anatomy of a Storyteller, HAMLET, BROTHERS, ELEGY, ORFEO (Olivier Award) and SAINTS AND SHADOWS (all for Arc Dance, choreographer Kim Brandstrup), and work for Second Stride, DV8, Images Dance Company, Yolanda Snaith, Geneva Ballet, London Contemporary Dance Theatre, English National Ballet, Adventures in Motion Pictures, Shobana Jeyasingh, Fabulous Beast, Nahid Siddiqui, Rambert Dance Company, Houston Ballet, Arc Dance Company, Jonathan Burrows, Dutch National Ballet, and Royal Danish Ballet

 

MOST RECENT THEATRE
For Theatr Clwyd: MEASURE FOR MEASURE and TWO PRINCES ( both Philip Breen) and THE GRAPES OF WRATH (Tim Baker)
For the Abbey Theatre, Dublin: THE RECRUITING OFFICER (Lynne Parker), THE ALICE TRILOGY (Tom Murphy),
For the Liverpool Everyman: THE WAY HOME and PARADISE BOUND (Sue Dunderdale)
and

THE CARETAKER – Glasgow Citz, director Philip Breen

MOTHER COURAGE AND HER CHILDREN – Dundee Rep, director Gerry Mulgrew

SLEEPING BEAUTY – Helix Theatre Dublin, director Róisín McBrinn
KING UBU – Galway Arts Festival, director Monica Frawley
MRS PAT – Theatre Royal York, director Sue Dunderdale
WHEN HARRY MET SALLY – TEG No 1 tour, director Simon Cox

 

NATIONAL THEATRE
THE MACHINE WRECKERS (Katie Mitchell); GUIDING STAR (Gemma Bodinetz) and RUTHERFORD AND SON (Katie Mitchell, for which Tina nominated for an Olivier Award)

 

ROYAL SHAKESPEARE COMPANY
THE TEMPEST (Michael Boyd), LOVE IN A WOOD (Tim Supple), THE COMEDY OF ERRORS (Lynne Parker), HENRY VI (Katie Mitchell), THE PHOENICIAN WOMEN (Katie Mitchell), SHADOWS (John Crowley) and GHOSTS (Katie Mitchell, for which Tina was nominated for an Olivier Award).

 

OTHER THEATRE IN IRELAND
For the Gate Theatre: BOOK OF EVIDENCE (also Kilkenny Arts Festival, Alan Gilsenan and
Tina nominated for Best Lighting Design/Irish Times), SHARON’S GRAVE (Ben Barnes),
For the Abbey Theatre: ON SUCH AS WE...... (Peacock, Wilson Milam), DOLDRUM BAY
(Peacock, Mark Lambert), DONE UP LIKE A KIPPER (Peacock, Pat Kiernan), THE HUNT FOR RED WILLIE (Peacock, Mark Lambert), HEDDA GABLER (Deborah Warner), PLAYBOY
OF THE WESTERN WORLD (Brian Brady), THE LAST ONES (Katie Mitchell), A
WOMAN OF NO IMPORTANCE (Ben Barnes)
For Druid Theatre: SILVERLANDS (Garry Hynes), THE SONG OF THE YELLOW BITTERN
(Maeliosa Stafford)
For Rough Magic: THE WHISPERERS (Lynne Parker)
For Prime Cut Theatre Company, Belfast: COLD COMFORT FARM (& Theatre 503, Owen McCafferty), A NUMBER, the double bill THE MERCY SEAT & ASHES TO ASHES, GAGARIN WAY, AFTER DARWIN and THE CHANCE (all directed by Jackie Doyle

 

LONDON THEATRE includes
For Shared Experience: A DOLL’S HOUSE (Ambassadors Theatre & Oslo Festival, Polly Teale), MOTHER COURAGE (Ambassadors & Spoletto Festival) and THE HOUSE OF BERNARDA ALBA (Young Vic) – both Nancy Meckler
For the Royal Court: YARD GAL (Gemma Bodinetz), LIVE LIKE PIGS (Katie Mitchell)
and: NIXON’S NIXON (Comedy Theatre & Australian tour, Charles Towers), MIDDEN
(Hampstead Theatre/Rough Magic Theatre Company, Lynne Parker), IN RESPECT OF
UNDER THEIR INFLUENCE (Tricycle Theatre and on tour), OUR FATHER (Almeida
Theatre, Lynne Parker), SPOONFACE STEINBERG (Ambassadors, Sheffield Crucible &
Kennedy Centre Washington, Marcello Magni & Annie Castledine) and THE WEXFORD
TRILOGY (Bush Theatre, Robin Lefevre)

 

OTHER THEATRE includes
For the Royal Exchange: SCHOOL FOR SCANDAL (Phyllida Lloyd) and THE COLLEEN
BAWN (Garry Hynes)
For Derby Playhouse: ARABIAN NIGHTS, MERLIN AND THE WINTER KING, SWEENEY TODD, DRACULA (all Stephen Edwards) and A MIDSUMMER NIGHT’S DREAM (Karen Hebden)
For Northern Stage: ANIMAL FARM (& Badajoz Festival, Spain, Alan Lyddiard), BALLROOM
OF ROMANCE (Alan Lyddiard) and MORE GRIMM’S TALE’S (Neil Murray),
and: SWEET YOM KISSES (Kushite Theatre Co, Lyric Hammersmith, Karina Johnson), THE HYPOCHONDRIAC (Coventry Belgrade, Hamish Glen), THE WEIR (Lyric Theatre Belfast, Fiona Buffini), THE RECRUITING OFFICER (Lichfield Garrick, Corin Redgrave & Annie Castledine), 1001 NIGHTS NOW (Copenhagen, Alan Lyddiard), BLUE REMEMBERED HILLS (Crucible Theatre, Sheffield, Deborah Paige), THE IMPORTANCE OF BEING EARNEST (West Yorkshire Playhouse, Lynne Parker)

 

OTHER OPERA WORK includes
DER ROSENKAVALIER (Scottish Opera, David McVicar), IDOMENEO (de Vlaamse Opera, David McVicar), THE MERRY WIDOW (Carl Rosa Opera, Michael McCaffery); TALES OF HOFFMANN (de Vlaamse Opera, David McVicar), THE TURN OF THE SCREW (Broomhill Opera at Wilton’s Music Hall, Elijah Moshinsky), IL RE PASTORE (Opera North, David McVicar), KATYA KABANOVA (Opera Theatre Company Dublin, James Conway), THE JUNIPER TREE (Munich Biennale and Almeida Opera Festival, David McVicar), CULLERCOATS TOMMY (Newcastle Playhouse, Alan Liddiard), LA CALISTO (Guildhall School of Music and Drama)