Tina MacHugh

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Tina is currently working on JULIUS CAESAR for the Guildhall School of Music and Dance and ROOSTER, most recently at the National Ballet of Canada and Ballet Basel and having previously played at Houston Ballet, Krefeld Theatre Germany, Hubbard Street Dance Chicago & Ballet Deutsche Oper am Rhein.

Other recent Theatre work includes THE CARETAKER for Glasgow Citz; MOTHER COURAGE AND HER CHILDREN at the Dundee Rep; MEASURE FOR MEASURE, TWO PRINCES, THE GRAPES OF WRATH (Theatr Clwyd); THE RECRUITING OFFICER, THE ALICE TRILOGY, DOLDRUM BAY (Abbey Theatre); THE WAY HOME (Liverpool Everyman) and SLEEPING BEAUTY (Helix Theatre, Dublin).

She works regularly in Opera & Dance and most recently on CROSSING THE SEA (Wilton’s Music Hall); PELLEAS AND MELISANDE, ORLANDO, VERA OF LAS VEGAS (Opera Theatre Company Dublin); APOLLO AND HYANCINTHUS (OTC, Dublin & Classical Opera on tour in Eire/UK); LA BOHEME and A STREETCAR NAMED DESIRE (Opera Ireland); PARADISE MOSCOW (Royal Academy of Music); THE MAGIC FLUTE (Guildhall School); the Opera Studio showcase at Hackney Empire; ALCINA, FALSTAFF (ETO); IDOMENEO (LA Opera with Placido Domingo) as well as 00:00:00:00: TIMECODE (ROH Clore Studio) and HANS CHRISTIAN ANDERSEN for Arc Dance with whom she has worked regularly.

She was nominated for an Olivier Award for her lighting on the RSC’s GHOSTS and for The National Theatre’s RUTHERFORD AND SON and other theatre productions include THE TEMPEST, LOVE IN A WOOD, THE COMEDY OF ERRORS, HENRY VI (also RSC) and productions for the Royal Court and the Royal Exchange as well as BOOK OF EVIDENCE (Kilkenny & Gate Theatre, Dublin) for which she was nominated for Best Lighting Design/Irish Times.

Last updated November 2008